Commission for a friend, combining feminine and masculine elements from the late 1700s.Back of commission, plus my golden ensemble.1690s stays, lace-embellished chemise, and cartridge-pleated satin skirt.1770s caraco jacket ensemble, worked from Janet Arnold’s Patterns of FashionAnother view of the 1770s caraco ensemble.In the studio, plus a bodice I made while working for Felix Needleworthy Fine CostumesProgress on a fully self-drafted kirtle.Italian Renaissance kirtle, with creative off-center opening and lacings inspired by Carlo Crivelli paintings.Another view of the kirtle, with front seam and opening mostly disguised by the pleats.Wool partlet for a CosTube “Stash Swap” challenge in 2020, with welt pocket and handmade cording.Close-up of handmade linen buttons and loops.An Elizabethan chemise, worked from Janet Arnold’s Patterns of Fashion, and embellished with “cheater embroidery” appliques of patterned cotton.Fairgoer in one of my Viking t-shirtsAnother example of the Viking-inspired t-shirtJacket created for a LARP character, plus linen pantsA friend wearing a pair of my linen LARP pants on a Mexico beachProgress on a rave costume commission inspired by Alice in Wonderland.Near-complete Alice in Wonderland ensemble.Close-up of hand painted details.Renaissance dresses for 18″ dolls.Close-up of hand painted details.Simple undergarments, and festival stays from a Simplicity pattern.Hand-painted linen tabard, plus whatever I’m wearing.Summer dress with open, laced sides, modified from an old LotR costume pattern by SimplicityA similar dress made for my mom, fully lined.Masculine 14th century reversible hood with pointed liripipe, plus quilted vest.Another view of the hood.Ghawazee coat and other layers of a LARP ensemble.Twill pants with pleat details.A blast from the past. Pieced stripes, and one of my first self-drafted patterns, c. 2012Custom dancewear for a Hamilton solo, made at Ignite Dance ConnectionsCustom group dancewear, made at Ignite Dance Connections
